Corporate Photography & Film
When meaning needs to take shape

A business can describe its capability in any number of words, but the right frame can let viewers see that capability for themselves.

FreshBrand photographs and films businesses in the same visual direction as the brand, from factories and people to products. Every frame becomes evidence that can be used in the company profile, the website, packaging and communications.

A dragon fruit orchard lit up at night at Nhat Dai Thanh
Nhat Dai Thanh

Perspective

Images are what viewers believe fastest, yet they are often what a business prepares last: photos snapped in a hurry on a phone, pictures pulled from a shared stock library, or handsome sets of photographs that say nothing about the business itself.

A good set of corporate photographs starts with the question of how the brand needs to be seen, and only then turns to camera angles and light. For a manufacturer, that may be the scale of a production line; for a metalworking shop, the hands of the craftsman; for a growing region, orchards lit up at night that buyers have never seen.

For FreshBrand, a corporate photograph is worth having only when viewers look at it and believe what the business says about itself.

When to start here

A business needs a dedicated set of photographs or a film when what it does well has never been seen by outsiders.

Shin Shu sausages served with a carved tomato flower

When the product has to look delicious on the page

Shin Shu’s 2012 catalog brings Japanese flavor to the Vietnamese family meal through three lines: sausage, ham and pork belly. Each product is shot in close-up on a white plate, set with vegetables carved into flowers, so the viewer sees the dish before seeing the packaging.

A Nam Thuan Phat craftsman at work in the workshop

When people are the clearest evidence of quality

For an industrial manufacturer like Nam Thuan Phat, reputation lies in the hands of its craftsmen. The photographs therefore catch them at real work, with hard hats, welding sparks and machines running, and nothing staged.

A farmer’s hand cutting a ripe dragon fruit

When a product needs to carry the story of where it grows

Nhat Dai Thanh’s dragon fruit is tended day and night, and the photographs record exactly that journey: the flower bud, the white blossom opening in the dark, orchards lit up like a field of stars, and the farmer’s hand cutting each ripe fruit.

How FreshBrand works

FreshBrand decides what the brand needs to be seen doing before picking up a camera; the five questions below run from direction to the final format for each channel.

Where is the brand now?

We start with the images the business uses today and where the new ones will appear, such as the company profile, the website, packaging or a campaign. Then we go to the reality at the factory, office or growing region, where the real story is taking place.

What really needs to be seen?

From the brand direction, FreshBrand picks what viewers need to see with their own eyes, and only then decides what to photograph, what to film and where.

The businessFactories, offices, production lines, the team and moments of real work

ProductsProduct photography for packaging, catalogs, the website and online marketplaces

TV commercials & videoCompany films, product videos and TV commercials for communication channels

What do we choose?

Every shoot has a visual script, so the photographs stay consistent with the brand even when they are taken in many places over many days.

Visual directionThe mood, light and color follow what the brand wants to convey

Shot listThe scenes needed are listed for each place the images will be used

Real people, real workReal people and real work are favored over staging

How is the shoot carried out?

FreshBrand prepares the shoot together with the business, from the factory’s operating schedule to safety on site, then selects, color-grades and exports the photographs and footage in the right format for each channel.

A Nam Thuan Phat craftsman operating a machine in the workshop
A Manuchar tanker truck at the warehouse

What will actually change?

The clearest change is that the business no longer has to borrow other people’s images to tell its story. The same set of photographs is reused in the profile, the website, packaging and communications, and viewers recognize the business through those very frames.

What the business keeps

A shoot is only the start of an image library, so depending on the scope of the project the business keeps both the photographs and what lets later shoots continue from them:

  • A selected, color-graded set of photographs, in formats for print and screen.
  • Product photography to one consistent standard for packaging, catalogs and online sales.
  • A finished film or video, with shorter versions for each channel.
  • A visual direction so later shoots keep the same spirit.
  • A photo library named and organized systematically so the team can find and reuse images easily.

Product photography

Product photos are where buyers look most closely, so FreshBrand shoots to show material, color and specifications clearly, with the same lighting and composition across the whole product line.

  • Plain-background shots: For the website, catalogs and e-commerce marketplaces.
  • Lifestyle shots: The product in a real setting of use or production, for packaging and communications.
  • Detail shots: Material, surface and specifications, the things buyers want to see up close.
Finished steel coils in the Ton Dong A factory warehouse
Nhat Dai Thanh dragon fruit boxes stacked in a cold store

TV commercials & video

When the story needs motion and sound, FreshBrand writes the script from the visual direction of the photographs themselves, so the business’s films and photos fit together.

  • Company film: Introduces the factory, the people and the capability, for partner meetings, trade fairs and the website.
  • Product video: How the product is made and used, for digital channels and points of sale.
  • TV commercial: A campaign advertising film, from the idea and script to shooting and post-production.

Let's talk

Is your business facing a similar question? Send a request to talk with FreshBrand, or download the portfolio to see more of our work.

An overhead crane and a yard of steel coils in front of the Ton Dong A factory
The Ton Dong A factory

In practice

Ton Dong ARepositioning and corporate photography, 2014

When the factory becomes the material of the brand

By 2014, Ton Dong A already had two factories in Binh Duong with production lines from Europe and Japan. Yet end consumers still did not recognize the brand on their own, because what the company had invested in had not been turned into a clear enough image.

“Repositioning does not begin by chasing a new image. It begins with the gap between what exists and what is perceived.”

FreshBrand photographed the factory from the wide view and the coil warehouse to the coating line and the operators. Those photographs went straight into the bilingual company profile of 2015, where each production line is introduced through its own real image.

A red-hot steel coil in the Ton Dong A factory
A steel coil and the circle of the Ton Dong A symbol

From the red-hot steel coils in the factory, the circle became the idea for Ton Dong A’s new symbol; the brand identity thus starts from the very place where the products are made.

See the full Ton Dong A project

Start with FreshBrand

Send us the problem, get a point of view.

You can send a request today, or download the portfolio to share with your leadership before we talk.